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Luca Arboccò selected for the Exhibition Creadores 2021

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We are delighted to inform that the curator of the show Creadores 2021 "El gran banquete y otros rituales de clausura" has selected the Italian artist Luca Arboccò, as the last participant of this exhibition project that will count on the participation of other 8 local artist. The show will be presented on 11th June in SME Francesas (Valladolid). 

Luca Arboccò (Chiavari, Genoa, Italy, 1992). Lives and works in Leipzig, Germany. With his work, Arboccò developes a study on painting through the lens of digital technologies. Oscillating between pictorial practice and post-production, documentation of the finished work and its own reuse as part of the process for new works, traditional art and industrial materials, two and three dimensions, amazement and disillusionment, Arboccò questions the role of painting in the contemporary flow of images.
The reconsideration of art codes, that is of techniques, procedures, motifs and styles, is aimed at questioning issues such as the impossibility of representation, the dialogue between artwork and exhibition space, the repetition of images, the decomposition of the latter and finally their disappearance.

https://www.instagram.com/luca_arbocco/

PROJECT «Climbing Figuration - Romantic Landscape from a ruin painted in it»

"With my practice, I propose a reconsideration of the linguistic codes of art by combining painting and digital imaging. Techniques, processes, motifs, and styles are living
matter to be shaped to redefine topics such as the impossibility of representation, the dialogue between the work and the exhibition space, the  suspension between two and three dimensions, the repetition of images, the decomposition of the latter and finally their disappearance. In “Climbing Figuration”, I want to revisit the topic of the romantic landscape by placing at the center of the representation an element originally marginal in it, the classical ruin. The landscape - a timeless subject “by nature” -
engages in a struggle with the semi-transparent Plexiglas architectural structure. It envelops the walls and is reflected and imprinted on them in the primary colors cyan, magenta, and yellow. For its part, the building closes curved and isolated

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